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Louis Winthorpe III is a successful Philadelphia commodity broker with mansion, manservant and girlfriend to match. Billy Ray Valentine is a hustling beggar. Winthorpe’s employers, the elderly Duke brothers, make a bet that by switching the lifestyle of the two Billy Ray will make good and their man will take to a life of crime. Suddenly Louis finds himself uncomprehendingly with no job, no home and only a new acquaintance, glamorous hooker Ophelia, prepared to help him. So at least in one way things could actually be worse.

Roland Rat, Margaret Thatcher; Rubik’s Cubes, the Royal Wedding; aerobics, skinheads… It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town, his dad killed fighting in the Falklands War. On his way home from school where he’s been tormented all day for wearing flares, he runs into a group of skinheads, who against expectations turn out to be friendly and take him under their wing. Soon Shaun discovers parties, girls and snappy dressing, and finds some role models in Woody, Milky and the rest of the gang. But when an older, overtly racist skinhead returns home from prison, the easy camaraderie of the group is broken, and Shaun is drawn into much more uncomfortable territory. Based largely on his own experience as a youngster, this is Shane Meadows’ most mature and fully realised film. Handling the complexities of masculinity, violence and race with sensitivity and a lightness of touch, it’s hard to imagine a film that would better capture the mood of the time, or that could have any greater an understanding of the allure of being part of a gang.

Denzel Washington is hired as the T.C. Williams High football coach over a white coach in Alexandria, Virginia in the early 1970’s during a time when the school has just been integrated to allow blacks into the school.

The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using thier fists as a drug they describe as being more potent than sex and drugs put together. Shot in documentery style with the energy and vibrancy of handheld, The Football Factory is frightingly real yet full of painful humour as the four characters extreme thoughts and actions unfold before us.

4 Harlem teens, Q, Bishop, Raheem and Steel, are out skipping school one day when they find out an old friend was killed in a shootout at a bar. After this, Bishop tells his friends that they have no respect, or juice. To get some, they rob a corner grocery store, but the lunatic Bishop intentionally shoots the clerk for no apparent reason. They run into an alley where Raheem tells Bishop to give him the gun, they fight, and Raheem gets shot. Only the other 3 know what happened, and Bishop wants to get rid of them too.

A group of security analysts are offered a job by the CIA and when they are reluctant, pressure is brought to bear by the threat to disclose the identity of their leader, a 60s radical with outstanding warrants. A chip exists that will allow any computer to be cracked, and organized crime will soon control it, though sudden changes in their police records suggest that it is already operational.

Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the “Vatos Locos”, and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a “home” for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his “carnal”, Miklo.

An entrepreneurial criminal, Slim (Dorff) is as smart as they come. Cocky and confident, he assembles a team of risk-taking rush-seekers to pull off a series of five bank heists, each time using a different extreme sport to make the getaway. Following an unexpected windfall on only their second job, the gang nets $20 million in untraceable bonds. Having scored enough money to retire on, Slim and his crew decide to call the robbery game quits. But both the mob and the police have other plans in mind for Slim: they want him to keep working, for them.

Having just been canned from his job on his day off, Craig and his best friend Smokey spend the day smoking up in their South Central neighborhood while dealing with a neighborhood bully, relationship troubles, an angry drug dealer, and a lot of other odd characters.

Deckard is a Blade Runner, a police man of the future who hunts down and terminates replicants, artificially created humans. He wants to get out of the force, but is drawn back in when 4 “skin jobs”, a slang term for replicants, hijack a ship back to Earth. The city that Deckard must search for his prey is a huge, sprawling, bleak vision of the future. This film questions what it is to be human, and why life is so precious.