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Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.

Truman Capote wrote the ‘non-fiction novel’ from which the film is drawn, using the novelist’s craft to render reality. The reality was that at two a.m. on November 15, 1959 in the rural town of Holcomb, Kansas, the four members of the Clutter family were roused from their sleep, bound and gagged, and then brutally murdered by two unknown assailants. After the latters’ capture, sentencing and imprisonment prior to execution, Capote researched the case thoroughly, spent weeks talking with the prisoners, Perry Smith and Richard Hickock, jurors, police, friends and neighbors, trying to unearth why such a senseless act was committed, and what society’s response might have been.

Marion (Valeria Bruni Tedeschi) and Gilles (Stéphane Freiss) are living their last minutes as a married couple. After having formalized their divorce, they will make love for the last time in a hotel, but the experience is rather traumatic for Marion, contributing to increase the crisis between them. From this point, the story, broken down in 5 episodes, will run backwards, telling us the couple’s married life, showing us their devoted love to their little son, but also how Gilles hurt Marion in several ways. Then, we see Marion’s labour at the hospital, with an indifference attitude from Gilles about the matter. The two last episodes, tell how was the wedding, the party and the wedding night, and finally, how Marion and Gilles met each other during a trip in the Italian coast.

Supernatural thriller in which a female reporter wakes up in a morgue to find herself a member of the undead. She vows revenge against the sect that put her there and hunts them down.

Solomon and Tummler are two teenagers killing time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.

Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that’s wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed.

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.

In 1999, in Claremont, California, the violent Jake Mazursky owes US$ 1,200.00 to the coward drug dealer Johnny Truelove, who is son of the powerful criminal Sonny Truelove. They fight and start a personal war, with Jake breaking into the house of Johnny with his friends, stealing the TV and leaving excrement in the living room. Johnny kidnaps Jake’s fifteen year old brother Zach Mazurka, who has just had an argument with his parents, and brings him to the upper class house of his friend Frankie Ballenbacher. Along a couple of days, Zach meets the friends of Frankie, goes to parties, drinks boozes, smokes pot and has sex with other teenagers. When Johnny realizes that kidnapping means life sentence, he asks the servile scum Elvis Schmidt to kill the boy.

‘Go’ is set mostly during one long Christmas Eve in the lives of a group of young adults on the events surrounding a drug deal in Los Angeles replayed three different times from three different views. In a straightforward manner; when slacker Simon Baines (Desmond Asknew) takes off for a getaway to Las Vegas with his friends, Ronna (Sarah Polley) takes his shift at the 24-hour grocery store where they work. When two guys, named Adam and Zack (Scott Wolf and Jay Mohr), walk in asking to score some dope from Simon, Ronna takes it upon herself and her friends Claire (Katie Holmes) and Mannie (Nathan Bexton) to buy some some stuff from the local drug dealer Todd Gains (Timothy Olyphant). But the drug deal is a sting that Adam and Zack are forced to set up by an overzealous narcotics agent, Burke (William Fichtner). Ronna is forced to dispose of the drugs. With no other alternative, she tries to double-cross Todd with phony drugs. Meanwhile in Las Vegas, Simon’s adventures with his best friend Marcus (Taye Diggs) hit an unfortunate turn during a trip to a strip club, while Adam and Zack end up spending Christmas Eve with Burke and his wife Irene (Jane Krakowski), and afterwards while driving to a rave that Ronna is dealing, the guys accidentally hit Ronna with their car and leave her for dead. Nearby, Mannie nearly OD’s on dope, and Claire gets more friendly with a vengeful Todd whom is now looking for Ronna.

Joe, a rootless young drifter, finds work on a barge travelling between Glasgow and Edinburgh, owned by Les and his wife Ella. One afternoon they discover the corpse of a young woman floating in the water. Accident? Suicide? Murder? As the police investigate and suspect is arrested, we discover that Joe knows more than he is letting on. Gradually we learn of Joe’s past relationship with the dead woman. Meanwhile an unspoken attraction develops between Joe and Ella, heightening the claustrophobic tensions in the confined space of the barge.