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She thought she was their Guardian Angel, but was she really their Nanny from Hell? A chilling modern ghost story, inspired by a classic of the genre, In A Dark Place is the suspenseful, erotic story of a young woman fighting to redeem the souls of two children seduced by dark influences beyond the grave. Anna Veigh, a recently qualified art therapist and teacher, is finding work at her inner city special school a tougher psychological challenge than she can cope with. The offer of a new post minding two wealthy young orphans whilst their wealthy uncle is away on business seems a perfect escape for her. It is a welcome escape. Her new workplace is Bly House, a remote country estate with beautiful grounds and a small resident staff. Miles and Flora, the children, seem sweet and charming, if a little strange, and Anna thinks that she has really “landed on her feet” after the rigors of her previous job. The only fly in the ointment is the frosty estate manager, Miss Grose, who seems remote and unfriendly to the new arrival. Very soon, moreover, Anna makes disquieting discoveries. Miles, the boy, has been expelled from his school, for a sin so dreadful the headmaster will not even discuss it. Anna then learns that her predecessor in the job, one Miss Jessel, died in suspicious circumstances. To add to her unease, she begins to catch glimpses of unknown sinister figures lurking in the grounds, but nobody else admits to seeing them. Anna confronts the Miss Grose with her suspicions about these intruders, but is surprised by the force of Miss Grose’s reaction. The figures Anna describes are unmistakably those of two ex-employees at the house. The only problem is that these employees are dead. Anna senses that the ghostly manifestations are malevolent in their intent. Not only is the psychological welfare of the children in very real jeopardy, but their lives and their souls are also at risk. But Anna is forced to confront dark secrets buried deep in her own psyche as she fights to cleanse the children’s souls of darkness, with terrifying consequences for all concerned.

A woman named Grace (Kidman) is living with her two children Anne and Nicholas (Mann and Bentley) on an almost empty island in their huge mansion. Grace’s husband is a soldier in WWII and Grace has given her husband up for dead. Everything seems peaceful for her, but when three mysterious servants are given jobs at the house, terrifying secrets are unlocked that even Grace cannot handle.

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.

When the Vatican observatory priest sees the appearance of a comet, the Church is sure that it confirms the eve of the Armageddon. Meanwhile, the USA President’s godson Robert Thorn is informed in the maternity in Rome by Father Spiletto that his wife Katherine has just lost her baby and she had troubles with her uterus and would not have another pregnancy. Spiletto suggests Robert that another just born child that lost her mother could be the substituted for his son, and Robert accepts the child and gives the name of Damien. Robert is promoted to ambassador in London after a tragic accident. When Damien’s nanny commits suicide in his birthday party, a substitute, Mrs. Baylock, comes to work and live with the family. Along the years, Katherine realizes that Damien is evil, while Robert is contacted by Father Brennan, who tells him that Damien is the son of devil. When the priest dies in a bizarre accident, the photographer Keith Jennings shows evidences to Robert that the boy is the Antichrist. They travel to the town of Megiddo to learn how the boy can be stopped.

Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

When a ‘Single White Female’ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her.

Mr. Cedric Brown (Colin Firth) has just lost his wife and is now left with his seven children who misbehave so much that all the nannies have run away. Now he is told by a mysterious voice that he should get Nanny McPhee (Emma Thompson) who is a magical woman with special powers.

Martin Lawrence returns as FBI agent Malcolm Turner, a master of disguise who again goes deep undercover as the sassy septuagenarian “Big Momma.” The FBI has learned that a computer software developer named Tom Fuller has created a computer virus that allows access to classified US government files, Fuller is planning to sell the virus to terrorist organizations all over the world. Upon hearing this, the FBI’s best lead is Fuller’s wife. So Malcolm goes undercover again as Big Momma in order to pose as Mrs. Fuller’s nanny. and as always, Big Momma once again turns the house upside down.

The film is the story of an undercover agent who, after failing to protect an important government scientist, learns the man’s family is in danger. In an effort to redeem himself, he agrees to take care of the man’s children only to discover that child care is his toughest mission yet.