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An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil’s old girlfriend, and Gordon’s new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.

Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship she changes her personality when she begins to receive anonymous telefon calls.

Peter Parker (Tobey McGuire) can’t seem to catch any kind of break. Being Spiderman has brought him nothing but problems as far as his personal life is concerned. Not only that, Mary Jane Watson (Kirsten Dunst) is engaged to astronaut John Jameson, and Peter may lose her forever. Things are so bad for him that he is pushed past his breaking point, so he decides that he doesn’t want to be Spiderman anymore, until a freak accident transforms Dr. Otto Octavius into Dr. Octopus, a super-villian with four metal tentacles coming out of him. Peter realizes that only Spiderman can stop him, but of course, problems arise. Mary Jane gets caught in the middle, and Harry Osborn, who still blames Spiderman for the death of his father, Norman Osborn, also the Green Goblin, wants him dead. Spiderman will have to push himself past his limits if he’s going to survive.

Mac, the two fisted savy cop finds that he’s being saddled with a new partner, a known burn out, to work with him on a new and difficult case. The new partner is, Ellis, an amazing detective, one who puts Sherlock Holmes to shame with his lightning fast deductions. Ellis has a couple of problems. He keeps assuming the personalities of entire casts of Television shows. This can be a problem when people begin shooting at them.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Mort Rainey (Depp), a writer just coming off of a troublesome divorce with his ex-wife, Amy (Bello), finds himself stalked at his remote lake house by a psychotic stranger (Turturro) who claims Mort stole his best story idea (changing just the ending)… (Hutton plays Bello’s new boyfriend; Dutton plays a private investigator hired to make Turturro’s character leave Mort alone.)

Based on Marvel Comics’ superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can’t confess his crush for his stunning neighbourhood girl Mary Jane Watson. To say his life is “miserable” is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him… and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist … but the fun isn’t going to last. An eccentric millionaire Norman Osborn (William Dafoe) administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task… or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end.