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Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras. Each has their reason for wanting to be there - fame, money, adventure. The prize - $1 million. The rules - if one person leaves, everyone loses. It becomes the ultimate morality test. When Danny’s beloved grandfather dies, does his greed overcome his love? When the skittish Emma finds blood on her pillow why does she still stay behind? And what dark secret does the house harbour that leaves them feeling as though they’re being watched by more than just a million pairs of eyes?

An average everyman discovers he’s the unwitting target of an ultra secret domestic black-op centering on mind control.

Mr. Bean enters a church raffle and wins a vacation trip to France as well as a camcorder. After boarding a Eurostar train and arriving in Paris, the French language proves a barrier for Bean, as he struggles to get across the city to catch a train to the south of France from the Gare de Lyon. Taking time to order a meal, he finds the consumption of a seafood platter to be a challenge. Just before catching his train, he asks Emil, a Russian film director on his way to be a judge at the Cannes Film festival to use his camcorder to record his boarding, but accidentally causes Emil being left behind at the station. Bean attempts to cheer up the director’s son Stepan as the train continues south but matters are made more hectic by the fact that Emil has reported his son to have been kidnapped and Bean losing his wallet and essential travel documents at a pay phone where he and Stepan attempt to contact Emil. Heading in the direction of Cannes, Bean finds himself in the cast and disrupting the flow of a commercial being shot by the egotistical director Carson Clay. He and Stepan finally hitch a ride with the young and vivacious actress Sabine who is heading to Cannes to attend the premiere of Clay’s film, in which she appears. After Bean sneaks into the showing, his camcorder images are destined to enliven the proceedings.

After the brutal death of a friend, a group of friends find themselves in possession of a video-game called “Stay Alive,” a blood-curdling true story of a 17th century noblewoman known as the Blood Countess. After playing the game when they know they shouldn’t, however, the friends realize that once they die in the game—they die for real. As their numbers begin dropping and as they begin dying in the ways they died in the game, the remaining friends realize they must defeat the Blood Countess or accept their fates.

When a ‘Single White Female’ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her.

A sharp-witted suburban wife, Terry Wolfmeyer, is left to raise her four headstrong daughters when her husband unexpectedly disappears. Things get even more hectic when she falls for her neighbor Denny, a once-great baseball star turned radio d.j. This leaves her daughters out on a limb. They are forced to juggle their mom’s romantic dilemmas as well as their own.

Contact, based on the novel of the same name by Carl Sagan, is the story of a free thinking radio astronomer (Jodie Foster) who discovers an intelligent signal broadcast from deep space. She and her fellow scientists are able to decipher the Message and discover detailed instructions for building a mysterious Machine. Will the Machine spell the end of our world, or the end of our superstitions? Will we take our place among the races of the Galaxy, or are we just an upstart species with a long way to go?

Nobody believes a liar - even when they’re telling the truth. When a young woman is found murdered, a group of local high school students decide to further scare their classmates by spreading online rumors that a serial killer called “The Wolf” is on the loose. By describing “The Wolf’s” next victims, the students’ game is to see how many people they can convince - and if anyone will uncover the lie. But when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins. As someone or something begins hunting the students themselves, the game turns terrifyingly real.

The movie starts as a car has a hard time driving straight down the road in a residential area. We think some kid has stolen this car. Nah. It’s the dad driving his son to school, and he’s drunk. The teenage son must take over. So, adults give up all responsibility towards their children and mayhem can take place. The film shows one day in the life of several teenage students as they go in and out of classes. They live their student lives and we follow their steps through the corridors and doors, taking them as guides one by one, like avatars in a giant video game.

Alex Rose (Stiller) and Nancy Kendricks (Barrymore) are a young, professional, New York couple in search of their dream home. When they finally find the perfect Brooklyn brownstone they are giddy with anticipation. The duplex is a dream come true, complete with multiple fireplaces, except for one thing: Mrs. Connelly (Eileen Essel), the cranky old lady who lives on the rent-controlled top floor. Assuming she is elderly and ill, they take the apartment but their hopes are quickly dashed when they realize that Mrs. Connelly is an energetic senior who enjoys watching her television at top volume day in and day out and rehearsing in a brass band. A writer, Alex is attempting to finish his novel against a looming deadline. However, each day as he begins to write, he is interrupted by Mrs. Connelly’s numerous demands and requests and what begins as a nuisance quickly escalates into an all-out war. When Nancy loses her job and the pair are trapped at home together with Mrs. Connelly, their rage turns to homicidal fantasy as they plot ways to get rid of their no-good neighbour…