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Robert Ford, who’s idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

A God-fearing bluesman (Jackson) takes to a wild young woman (Ricci) who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.

On November 16, 1959, Truman Capote reads about the murder of a Kansas family. There are no suspects. With Harper Lee, he visits the town: he wants to write about their response. First he must get locals to talk, then, after arrests, he must gain access to the prisoners. One talks constantly; the other, Perry Smith, says little. Capote is implacable, wanting the story, believing this book will establish a new form of reportage: he must figure out what Perry wants. Their relationship becomes something more than writer and character: Perry killed in cold blood, the state will execute him in cold blood; does Capote get his story through cold calculation, or is there a price for him to pay?

In Berkeley, Australia, a meteor shower transforms the locals in zombies. A group of survivals fight against the zombies and try to escape to another town. However, they find that aliens built a wall around the area and are abducting the people.

Mel Gibson plays a former priest who lost his faith after his wife was killed in a freak car accident. Six months later, he discovers a gigantic crop circle in his yard, similar events happen all over the world. Graham’s children think it’s aliens, his brother thinks it’s pranksters, and Graham doesn’t know what to think. The crop circles cause a media frenzy and test Hess’s faith as he journeys to find out the truth behind the crop circles. However, as more and more strange events occur, he regains his faith and realizes something big is coming, and it’s probably not going to be friendly.