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John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.

Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.

An announcement that the venerable Bunker Hill Military Academy, a 141 year old institute, is to be torn down and replaced with condos sets off the young cadets led by their stodgy commander (George C. Scott). Under the command of a student cadet major (Timothy Hutton), the cadets seize the campus, refuse entry of the construction crews and ultimately confront the real military.

In 1866, Kansas, the American civil war has just finished and the armies disbanded. The building of the West begins, and in 1872, the new city of Dodge City is ruled by violence and shootings. The Irishman Wade Hatton (Errol Flynn) is a man adapted to these days and presently is conducting a group of pioneers, including Abbie Irving (Olivia de Havilland) and her reckless brother, to Dodge City. Once in the city, Wade is invited to be the local sheriff, and an incident makes him accept the position. He tries to clean up the cattle town, ruled by the powerful outlaw Jeff Surrett (Bruce Cabot) and his gang, with the support of the decent local people.

After an experimental bio-nerve gas is accidentally released at a remote U.S. military base in Texas, those exposed to the gas turn into flesh-eating, mutating zombies out to kill. An assortment of various people who include stripper Cherry, her shady mechanic ex-boyfriend Wray, a strong-willed doctor, the local sheriff, and an assortment of various people must join forces to survive the night as the so-called “sickos” threaten to take over the whole town and the world.

It’s a hundred years later, and the dhampir Rayne has arrived in the town of Deliverance, Montana where a group of vampire cowboys have emerged. Led by Billy the Kid, hell-bent on creating is own kingdom, he slaughters townspeople and rounds up children. He spares the life of Chicago Chronicle reported Newton Pyles. Rayne aligns herself with Pat Garret, a member of the long-thought-dead Brimstone society, a dishonest preacher, and a low life named Franson, to stop Billy the Kid and show the world how the West was really won.

Prequal to ‘Ginger Snaps’ has the orphaned sisters Ginger and Brigette, before becoming werewolves, in 1815 Canada where they stumble into a war between Native American “Wendigos” besieging a remote trading post populated by brutal settlers.

Timmy Robinson’s best friend in the whole wide world is a six-foot tall rotting zombie named Fido. But when FIDO eats the next-door neighbor, Mom and Dad hit the roof, and Timmy has to go to the ends of the earth to keep Fido a part of the family. A boy-and-his-dog movie for grown ups, “FIDO” will rip your heart out.

An intimate story set during the 1860s in which a young Irish woman Sarah (Samantha Morton) and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonisation of New Zealand.

Richard and Susan are a couple from San Diego, California who are vacationing in Morocco while their two children are at home with their Mexican housekeeper, Amelia. A rifle finds its way into the hands of a local herdsman’s young sons, who recklessly take a shot at a tour bus and hit Susan in the shoulder, causing her severe injury. The distraught Richard calls home to tell Amelia of the situation, who shortly departs for Mexico to attend her son’s wedding, with Richard and Susan’s children in tow. Disaster thus multiplies, with the situation in Morocco ascribed to terrorists in the media, while Amelia meets with trouble at the Mexican border when she attempts to return to San Diego with Richard and Susan’s children. Meanwhile, in Tokyo, a widower tied to the rifle in question, a complex shift of ownership to which the audience is privy, attempts to deal with the memories of his recently deceased wife and his strained relationship with his deaf teenage daughter.