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John Lee is a hitman who works for Chinese crime lord, Terence Wei. It seems that Joh is obligated to Mr. Wei and so far has done everything he was told to do. Now Mr. Wei wants John to get revenge on a police detective who killed his son. John was about to carry out the job but for some reason can’t do it. When Mr. Wei hears of this, he sends for some replacements. John now has to return to China to help his mother and sister whom Mr. Wei will now target because of his disobedience, but first he needs a passport. He needs find someone who can give him a passport who is not beholden to Mr. Wei. He is told of Meg Coburn, a small time documents forger. John goes to see her and was in the process of making his passport when some Wei’s people come in shooting. While John gets away, Meg is caught by the police but is released by the cop whom Mr. Wei has a beef with. John goes to her and still needing a passport, forces to go with him. Mr. Wei’s people finds them and was about to take care of them but John managed to escape. So now the two of them are not only hunted by Mr. Wei but also the police.

Two trains crash somewhere in Russia, one carrying a nuclear payload. A nuclear explosion follows the crash and the world is on alert… However, White House nuclear expert Dr. Julia Kelly (Nicole Kidman) doesn’t think it was an accident… Special Forces Intelligence Officer Colonel Thomas Devoe (George Clooney) doesn’t think so either… Together they must unravel a conspiracy that goes from Europe to New York, to stop a terrorist who has no demands…

Massoud Amir Behrani, an Iranian immigrant, has spent most of his savings trying to enhance his daughter’s chances of a good marriage. Once she is married, he spends the remaining funds on a house at an auction, unwittingly putting himself and his family in the middle of a legal tussle with the house’s former owner. What begins as a legal struggle turns into a personal confrontation, with tragic results.

With this sequel to his prize-winning independent previous film, “El Mariachi,” director Robert Rodriquez joins the ranks of Sam Peckinpah and John Woo as a master of slick, glamorized ultra-violence. We pick up the story as a continuation of “El Mariachi,” where an itinerant musician, looking for work, gets mistaken for a hitman and thereby entangled in a web of love, corruption, and death. This time, he is out to avenge the murder of his lover and the maiming of his fretting hand, which occurred at the end of the earlier movie. However, the plot is recapitulated, and again, a case of mistaken identity leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown.

In the midst of an elaborate conspiracy, an expert negotiator is driven to the edge when he’s framed for the murder of his partner, as well as embezzling money from his department’s pension fund. His only chance to prove his innocence is to take hostages himself, acquire the services of another expert negotiator, and find out who’s running the conspiracy before it’s too late.