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It’s not the crime, it’s the cover-up. In small-town, hard-scrabble New Hampshire, foul-mouthed all-talk slacker John “Rugged” Rudgate fancies himself a criminal. When a local plumber stares him down at a pub, Rugged vows revenge, pouring brake fluid in the man’s water supply. When the man dies from unrelated causes, Rugged and his side-kick, the even dimmer Jeff, try to cover up what they think is murder. One bad decision begets another.

Igby Slocumb, a rebellious and sarcastic seventeen year-old boy, is at war with the oppressive world of his East Coast “old money” family. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there, and he sets out to find it. After happily flunking out of several Prep Schools, Igby escapes into the bohemian underworld of Manhattan. His darkly comic trip—shared by a deviant cast of characters, including his terminally bored, part-time lover Sookie, his Godfather’s trophy mistress Rachel, and smack-dealing performance artists Russel—veers from bizarre to tragic in Igby’s ultimately noble attempt to keep himself from “going down.”

Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy “sees dead people”. Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole’s mom is at her wit’s end with what to do about her son’s increasing problems. Crowe is the boy’s only hope.