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A middle-aged crime boss (Malcolm McDowell) smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood (played by Paul Bettany) in Swinging 60’s London, he seemed to ape his mod boss Freddie Mays (David Thewlis), and do anything for him. But his narration exposes all-consuming envy: of Freddie’s supremacy, and especially his tall bird (Saffron Burrows). The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1.

Awaking from a coma to discover his wife has been killed in a car accident, Ben’s (Colin Firth) world may as well have come to an end. A few weeks later, Ben’s out of hospital and, attempting to start a new life, he moves home and is befriended by a beautiful young neighbour Charlotte (Mena Suvari). His life may be turning around but all is not what it seems and, haunted by visions of his dead wife, Ben starts to lose his grip on reality…

A successful cocaine dealer, who has earned a respected place among England’s Mafia elite, plans an early retirement from the business. However, big boss Jimmy Price hands down a tough assignment: find Charlotte Ryder, the missing rich princess daughter of Jimmy’s old pal Edward, a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds’ worth of Grade A ecstasy, a brutal neo-Nazi sect and a whole series of double crossings. The title “LAYER CAKE” refers to the layers or levels anyone in business goes through in rising to the top. What is revealed is a modern underworld where the rules have changed. There are no ‘codes’, or ‘families’ and respect lasts as long as a line. Not knowing who he can trust, he has to use all his ’savvy’, ‘telling’ and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy, and an international drug ring threaten to draw him back into the ‘cake mix’. But, time is running out and the penalty will endure a lifetime..

After having her father and perverse stepmother killed by the cenobites, Kirsty Cotton (Ashley Lawrence) is sent to a psychiatric hospital. Even after trying to convince the authorities of what really happened with her family, nobody believes in her version of the history and they decide to place her in the institute, so that she rests and relaxes a little bit. The hospital is commanded by a brilliant and strange psychiatrist, Dr. Channard (Kenneth Cranham), who has been looking for the key for another dimension for a long time. The only person who believes in Kirsty is a young and kind assistant of Dr. Channard, called Kyle MacRae (William Hope). Following Kirsty’s version of the story, Channard put his hands on the bloodstained mattress where her stepmother Júlia (Clare Higgins, from the first Hellraiser) died, Channard decides to resurrect her, killing his patients and offering them as food for Júlia. She returns without skin, and she decides to help Channard to bring the forces of the evil, but the plans of the two will be disturbed by Kirsty, who wants to end at once with the cenobites, and for Kyle, who doesn’t want to see Kirsty being hurt…