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Joe, a rootless young drifter, finds work on a barge travelling between Glasgow and Edinburgh, owned by Les and his wife Ella. One afternoon they discover the corpse of a young woman floating in the water. Accident? Suicide? Murder? As the police investigate and suspect is arrested, we discover that Joe knows more than he is letting on. Gradually we learn of Joe’s past relationship with the dead woman. Meanwhile an unspoken attraction develops between Joe and Ella, heightening the claustrophobic tensions in the confined space of the barge.

A thought-provoking and haunting exploration of how reality and dream-states may combine to form complex interactions in the mind of an accident victim. The line between the imagination and reality blurs when an accomplished Psychiatrist takes on a patient that appears to be suicidal.

Based on the first of the best-selling series of Alex Rider novels by Anthony Horowitz, STORMBREAKER introduces the reluctant teenage super-spy to cinema audiences. After the death of his uncle, the 14-year-old hero is forced by the Special OperationsDivision of Britain’s secret intelligence service, MI6, for a mission which will save millions of lives.

To avoid spoiling the movie this plot summary is very brief. It starts when three people living together in a four bedroom flat are looking for a house mate. The interviews they conduct are very unorthodox and very funny. Eventually the three agree on one prospective tenant. He moves in, locks his door, and is not seen again. After a couple of days the three become curious and break in to his room. What follows is an amazing piece of cinema and to say more would ruin it.

The animated comedy tells the story of a lowly wood pigeon named Valiant, who overcomes his small size to become a hero in Great Britain’s Royal Air Force Homing Pigeon Service during World War II. The RHPS advanced the Allied cause by flying vital messages about enemy movements across the English Channel, whilst evading brutal attacks by the enemy’s Falcon Brigade.

Even in a world populated entirely by mechanical beings Rodney Copperbottom (McGregor) is considered a genius inventor. Rodney dreams of two things, making the world a better place and meeting his idol, the master inventor Bigweld (Brooks). On his journey he encounters Cappy (Halle Berry), a beautiful executive ‘bot with whom Rodney is instantly smitten, the nefarious corporate tyrant Ratchet (Kinnear) who locks horns with Rodney, and a group of misfit ‘bots known as the Rusties, led by Fender (Williams) and Piper Pinwheeler (Bynes).

A maturing Anakin Skywalker goes to the dark side of The Force and becomes Sith Lord Darth Vader. We experience the transformation in a dark, scary yet thrilling climax. The story here logically sets up the events of Episode IV, the original 1977 Star Wars movie in which Darth Vader goes to war against his own children, Luke and Leia.

Ten years after the ‘Phantom Menace’ threatened the planet Naboo, Padmé Amidala is now a Senator representing her homeworld. A faction of political separatists, led by Count Dooku, attempts to assassinate her. There aren’t enough Jedi to defend the Republic against the threat, so Chancellor Palpatine enlists the aid of Jango Fett, who promises that his army of clones will handle the situation. Meanwhile, Obi-Wan Kenobi continues to train the young Jedi Anakin Skywalker, who fears that the Jedi code will forbid his growing romance with Amidala…

This First Episode follows the young years of Anakin Skywalker (Darth Vader). The friendship of Obi-wan Kenobi, Yoda and Qui-Gon Jinn are also central aspects. And the beginning of the rise to power of Senator Palpatine to Emperor.

The story revolves around a dying father and his son, who is trying to learn more about his dad by piecing together the stories he has gathered over the years. The son winds up re-creating his father’s elusive life in a series of legends and myths inspired by the few facts he knows. Through these tales, the son begins to understand his father’s great feats and his great failings.