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Six London school-leavers attempt to make it in the world, balancing the challenge of trying to make a name for themselves in the music industry against the pressures and tragedies of everyday life.

In Washington DC in 1994, the Senate Oversight Committee (SOC) is being spoken to in the capitol building by George Spota, who explains that for the past 20 years, Doctor Hans Kleindast, the Nobel laureate who help the government with the space program back in the 1960s and 1970s, has been doing research, and his field of research has been time travel. The SOC believes that Hans is a quack — until George tells the SOC that Hans actually succeeded in his research and took a trip to the past then back to the present. You can’t travel into the future because the future hasn’t happened yet. George makes it clear that a covert agency is needed to police time travel, so the Time Enforcement Commission (TEC) is formed. Named as the director of the TEC is Commander Eugene Matuzak, formerly of the Washington DC police department. Senator Aaron McComb, who sees possibilities, agrees to chair the oversight on the new program. Sometime later, at a shopping center, TEC agent Max Walker and his wife Melissa are being watched by a pair of shady looking men. Later, at home. Max and Melissa spend some passionate time together. That night, Melissa is about to tell Max something extremely important when the phone rings. Max answers the phone and is told to go to TEC headquarters. Max gets dressed and as soon as Max opens the front door to go outside, he is attacked by the two men from the shopping center. As the two men are beating Max up. Max sees Aaron looking out the window of the bedroom that Melissa is still in, and Aaron is holding Melissa hostage, forcing Melissa to watch Max’s beating. The two men outside then shoot Max, who is wearing a bulletproof vest — and then an explosion engulfs the house, killing Melissa. On October 30, 1929, on Wall Street in New York City, a man named Lyle Atwood enters an office building and rides an elevator up to an office. There is a sudden ripple in the office, and Max enters from the future. It turns out that Lyle is Max’s partner, and Lyle is planning to stop the depression from happening. Max wants to know who Lyle is working for, and Lyie calls two security men into the office to deal with Max. Max beats up the two security men, and Lyle pulls out a gun and opens fire on Max. When Lyle runs out of bullets, Max forces Lyle to admit that he’s working for Aaron, and that Aaron has paid off a lot of other TEC agents as well. Lyle then jumps out the window. Max jumps out after Lyle, grabs him, and takes Lyle with him back to present time, which is now the year 2004, ten years after Melissa’s murder. TEC judge Marshall sentences Lyle to be immediately executed, so Lyle is sent back to 1929 and is dropped to his death from the point in midair where Max and Lyle disappeared to 2004. At TEC Headquarters in 2004, Aaron, Max, and Matuzak are showing Senator Malcolm Nelson around the TEC building. Aaron reminds everyone that people who go back in time risk coming into contact with a past version of themselves. The same matter cannot occupy the same space at the same time, because if that happens, and if it’s a person accidentally making physical contact with their past version, that person will die, and their body will disappear from the face of the Earth. Later, Max tells Matuzak that Aaron wants to shut down the TEC so no one can stop him from altering the past to his advantage, because Aaron is now running for President of the United States. Aaron’s fading campaign for president is dealt a blow when he is denied federal campaign matching funds. Just before Max wakes up, two men break into his home to kill him, but Max turns the tables and kills the two men who broke in. TEC internal affairs investigator Sarah Fielding questions Max. Max soon learns that Sarah may be on the wrong side in this. Max must travel back and forth in time to bring Aaron down…and when Max goes back to 1994 and finds out what Melissa wanted to tell him 10 years ago, it gives Max incentive to at least try to prevent Melissa’s murder.

An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil’s old girlfriend, and Gordon’s new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.

When a schooner is wrecked off Whitby the only survivor is Count Dracula who has arrived with large amounts of Transylvanian soil to take up residence in Carfax Abbey. He takes the life or Lucy, who is engaged to Dr. Seward, who runs the local asylum. Lucy’s friend Mina, and her fiancé Jonathan Harker, a solicitor, also make contact with Dracula. But almost immediately, Lucy dies from loss of blood, and just possibly this may not be a coincidence. The group calls on the aid of Prefessor Van Helsing, noted supernatural expert, and together they pursue the vampire.

The Vice-President is being held at gunpoint. The Pittsburgh Civic Arena is wired with enough explosives to blow up the whole city. And if $1 billion isn’t delivered soon, thousands will die… …Darren McCord is in the arena. An arson investigator, he’s seen what explosives can do to people. And he won’t let it happen again. Because this time, one wrong move and his daughter dies, too…

The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten culture of Anglo Saxon males fed up with being told they’re not good enough and using thier fists as a drug they describe as being more potent than sex and drugs put together. Shot in documentery style with the energy and vibrancy of handheld, The Football Factory is frightingly real yet full of painful humour as the four characters extreme thoughts and actions unfold before us.

A woman struggles to recover from a brutal attack by setting out on a mission for revenge.

As a child, a miscreant Frank Dux was taken in and trained by a champion martial artist, who went so far as to adopt Frank into his family after the premature death of his own son. Now, decades later, Frank is a skilled martial artist himself and a solider in the U.S. Military. Upon the death of his surrogate father and sensai, Frank is informed of a mysterious, no-holds barred, highly illegal martial arts tournament in Hong Kong known only as the “kumeti.” At the bidding of his sensai and against direct orders from his military superiors Frank travels to Hong Kong to participate and uphold his master’s honor. In order to succeed not only will he have to win the tournament; he must also evade capture by two military police sent to arrest him and the prying questions of a nosy reporter eager for a story.

An aging antique dealer, Jesus Gris, happens upon an elegant mechanized scarab. When opened, it painfully stabs whomever is holding it, but the wound brings youthful vigor and a vampire’s need for blood. The device is relentlessly pursued by a dying tycoon, Dieter de la Guardia, whose nephew Angel, reluctant to see his uncle live a moment longer, must still do the old man’s bidding. Meanwhile, Gris’s desires endanger his own granddaughter, Aurora.

After an experimental bio-nerve gas is accidentally released at a remote U.S. military base in Texas, those exposed to the gas turn into flesh-eating, mutating zombies out to kill. An assortment of various people who include stripper Cherry, her shady mechanic ex-boyfriend Wray, a strong-willed doctor, the local sheriff, and an assortment of various people must join forces to survive the night as the so-called “sickos” threaten to take over the whole town and the world.