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Michael Clayton is an in-house “fixer” at one of the largest corporate law firms in New York. A former criminal prosecutor, Clayton takes care of Kenner, Bach & Ledeen’s dirtiest work at the behest of the firm’s co-founder Marty Bach. Though burned out and hardly content with his job as a fixer, his divorce, a failed business venture and mounting debt have left Clayton inextricably tied to the firm. At U/North, meanwhile, the career of litigator Karen Crowder rests on the multi-million dollar settlement of a class action suit that Clayton’s firm is leading to a seemingly successful conclusion. But when Kenner Bach’s brilliant and guilt-ridden attorney Arthur Edens sabotages the U/North case, Clayton faces the biggest challenge of his career and his life.

Frank Hopkins was a rider for the Army, who was at the Wounded Knee Massacre, which would haunt him for life and he copes by turning to the bottle. He joins Buffalo Bill’s Wild West Show, and is billed as the greatest horseman and his horse, Hidalgo is billed as the greatest horse in the world because of the countless races he has won. But an Arab questions that claim because they have not competed in a race like the Oceans of Fire which is very grueling. Hopkins decides to join it. So he travels to the Middle East to enter and has several rivals and there are those who don’t want him to win. And Frank gets to face some of the demons that plague him.

Catwoman is the story of shy, sensitive artist Patience Philips (Halle Berry), a woman who can’t seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammoth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat. With her newfound prowess and feline intuition, Patience becomes Catwoman, a sleek and stealthy creature balancing on the thin line between good and bad. Like any wildcat, she’s dangerous, elusive and untamed. Her adventures are complicated by a burgeoning relationship with Tom Lone (Benjamin Bratt), a cop who has fallen for Patience but cannot shake his fascination with the mysterious Catwoman, who appears to be responsible for a string of crime sprees plaguing the city.

Qunicy Watson, after being unceremoniously dumped by his fiancée, pens a “how to” book on breaking up and becomes a best-selling author on the subject. Not wanting his male friends to suffer the same fate, he gives them advice on dumping their mates. A comedy of errors ensues.

Alfie is a remake of the 1966 film. In the contemporary film, Alfie is quite the ladies man and rarely gets rejected when it comes to the opposite sex. He successfully has relations with multiple women without a hint of emotional attachment. A major (lifelong) problem arises when he sleeps with the wrong woman, namely his best friend’s (and future business partner) ex-girlfriend. As a result, his life slowly comes into focus and he begins to appreciate the little things he always missed in the opposite sex. A must see for all guys who call themselves “players”.

Just before their wedding, Elizabeth Swann and Will Turner are arrested by Lord Cutler Beckett for helping the pirate Captain Jack Sparrow, but Cutler proposes a deal to Will: their freedom per Jack’s compass. Meanwhile, Jack is afraid of the sea, because he owes his soul to the evil Davy Jones, the Captain of the Flying Dutchmen. When Will meets Jack, the pirate proposes to exchange his compass by a key owned by Davy Jones. Will goes to the Flying Dutchman without knowing how dangerous and diabolic Davy Jones and his crew are.

An old man in a nursing home reads a story to an old woman each day. The story he reads follows two young lovers named Allie Hamilton and Noah Calhoun. They met one evening at a carnival many years ago. Allie’s parents separate Noah and Allie. They disapprove of Noah’s lack of wealth, and move Allie away. After waiting for Noah to write her for several years, Allie meets and becomes engaged to a handsome young soldier named Lon. In a local newspaper, Noah’s picture catches Allie’s eye. He is standing in front of a fully restored, 200 year old home. The article is filled with praise for his accomplishments. Allie’s heart nearly bursts. The last time she saw this house it was a rotted decaying shamble. She stood enfolded in Noah’s arms in the great entryway and listened to his plans to buy and restore this house. Just the way she wanted it. With her love for Noah still alive, the picture pulls at her heart. She has to go back, see if Noah is okay, and tell him about her marriage. They both think the echo deep in their hearts, the one that has lasted all these years, is not shared by the other. The cry they could not stifle. It wasn’t over for me.

Based on John Steinbeck’s 1937 classic tale of two travelling companions, George and Lennie, who wander the country during the Depression, dreaming of a better life for themselves. Then, just as heaven is within their grasp, it is inevitably yanked away. The film follows Steinbeck’s novel closely, exploring questions of strength, weakness, usefulness, reality and utopia, bringing Steinbeck’s California vividly to life.

An Afro-American organization, the B.R.O.T.H.E.R.H.O.O.D., is in permanent fight against a white organization, The Man, defending the values of the black people in North America. When the Afro-American candidate Gen. Warren Boutwell (Billy Dee Williams) has a weird behavior in his presidential campaign, the Undercover Brother (Eddie Griffin) is hired to work undercover in the white organization and find what happened with the potential candidate.

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King’s Cross with his mother; he’s nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will’s architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro’s mother, Amira. At home, Will’s relationship with Liv is strained - he feels outside Liv and her daughter Bea’s circle. The stakeout and Amira’s vulnerability are attractive alternatives to being at home. The police, too, watch Miro.