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From the biggest festival to the smallest church social, Kenny Smyth delivers porta-loos to them all. Ignored and unappreciated, he is one of the cogs in society’s machinery; a knight in shining overalls taking care of business with his faithful ‘Splashdown’ crew. Follow Kenny as he tackles every septic challenge that comes his way, culminating in a pilgrimage to that Mecca of waste management, the International Pumper and Cleaner Expo in Nashville Tennessee - or as Kenny affectionately calls it, “Poo HQ”. With fly-on-the-wall honesty and wit, ‘KENNY’ lifts the lid on one of Australia’s roughest diamonds as he juggles family tensions, fatherhood and sewage with charm, humour and unflinching dignity. “It takes a certain kind of person to do what I do… No-one’s ever impressed; no-one’s ever fascinated… If you’re a fireman, all the kids will want to jump on the back of the truck and follow you to a fire. There’s going to be no kids willing to do that with me. So, I don’t do it to impress people - it’s a job, it’s my trade, and I actually think I’m pretty good at it.” - Kenny Smyth Part philosopher, part comedian and all heart, KENNY is living proof that in sewage, like life, the best will always rise to the top.

A film producer who was adopted as a baby and sent to America, returns to her native Russia and the family farm. Once there, strange things begin to happen including the disappearance of her guide, the manifestation of ghosts (including her own!) and the appearance of another man who has been drawn to the farm for the same reasons.

A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.

She thought she was their Guardian Angel, but was she really their Nanny from Hell? A chilling modern ghost story, inspired by a classic of the genre, In A Dark Place is the suspenseful, erotic story of a young woman fighting to redeem the souls of two children seduced by dark influences beyond the grave. Anna Veigh, a recently qualified art therapist and teacher, is finding work at her inner city special school a tougher psychological challenge than she can cope with. The offer of a new post minding two wealthy young orphans whilst their wealthy uncle is away on business seems a perfect escape for her. It is a welcome escape. Her new workplace is Bly House, a remote country estate with beautiful grounds and a small resident staff. Miles and Flora, the children, seem sweet and charming, if a little strange, and Anna thinks that she has really “landed on her feet” after the rigors of her previous job. The only fly in the ointment is the frosty estate manager, Miss Grose, who seems remote and unfriendly to the new arrival. Very soon, moreover, Anna makes disquieting discoveries. Miles, the boy, has been expelled from his school, for a sin so dreadful the headmaster will not even discuss it. Anna then learns that her predecessor in the job, one Miss Jessel, died in suspicious circumstances. To add to her unease, she begins to catch glimpses of unknown sinister figures lurking in the grounds, but nobody else admits to seeing them. Anna confronts the Miss Grose with her suspicions about these intruders, but is surprised by the force of Miss Grose’s reaction. The figures Anna describes are unmistakably those of two ex-employees at the house. The only problem is that these employees are dead. Anna senses that the ghostly manifestations are malevolent in their intent. Not only is the psychological welfare of the children in very real jeopardy, but their lives and their souls are also at risk. But Anna is forced to confront dark secrets buried deep in her own psyche as she fights to cleanse the children’s souls of darkness, with terrifying consequences for all concerned.

When his roommate spends the rent money on Filipino hookers. Alex, a 35 year video game tester has to find a new place to live. After a “encounter” with his friends mom, Alex is forced to move in with his grandmother. Trying to save face with his younger co-workers, Alex says that he is living “with three hot babes” (meaning his grandmother and her two roommates).

When a weapons multi-national Palisade Defence reward their European sales division with a team-building weekend in the mountains of Eastern Europe, comedy blends with horror as the team fight first amongst themselves, and later for survival against a group of war-crazed killers intent on revenge.

The film revolves around Park Hee-bong, a man in his late 60s. Park runs a small snack bar on the banks of the Han River and lives with his two sons, one daughter, and one granddaughter. The Parks seem to lead a quite ordinary and peaceful life, but maybe a bit poorer than the average Seoulite. Hee-bong’s elder son Gang-du is an immature and incompetent man in his 40s, whose wife left home long ago. Nam-il is the youngest son, an unemployed grumbler, and daughter Nam-joo is an archery medalist and member of the national team. One day, an unidentified monster suddenly appears from the depths of the Han River and spreads panic and death, and Gang-du’s daughter Hyun-seo is carried off by the monster and disappears. All the family members are in a great agony because they lost someone very dear to them. But when they find out she is still alive, they resolve to save her.

It’s 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly’s face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan’s son, Stuart, has found his father and wants answers. Derek, Kelly’s pimp, needs to find Kelly or it will be him who pays. Kelly and Joanne need to get through the next 24 hours alive…

Roland Rat, Margaret Thatcher; Rubik’s Cubes, the Royal Wedding; aerobics, skinheads… It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town, his dad killed fighting in the Falklands War. On his way home from school where he’s been tormented all day for wearing flares, he runs into a group of skinheads, who against expectations turn out to be friendly and take him under their wing. Soon Shaun discovers parties, girls and snappy dressing, and finds some role models in Woody, Milky and the rest of the gang. But when an older, overtly racist skinhead returns home from prison, the easy camaraderie of the group is broken, and Shaun is drawn into much more uncomfortable territory. Based largely on his own experience as a youngster, this is Shane Meadows’ most mature and fully realised film. Handling the complexities of masculinity, violence and race with sensitivity and a lightness of touch, it’s hard to imagine a film that would better capture the mood of the time, or that could have any greater an understanding of the allure of being part of a gang.

The story is set in 1890s Siam. Jone Bang Fai (the Fireball Bandit) is a young Muay Thai warrior and rocketry expert who steals back water buffalo taken from poor Isan farmers by unscrupulous cattle raiders. He is also searching for a man with a tattoo who killed his parents.

Meanwhile, a local nobleman, Lord Waeng, wants to create a market for the steam tractors he’s selling. So he hires a hulking convict, “The Thief”, to kill all the cattle traders and round up all the water buffalo for slaughter, depriving farmers of the draft animals they need to cultivate rice. Lord Waeng’s men are eventually pitted against Nai Hoi Sing, a cattle trader with supernatural martial arts powers and a tattoo on his chest. The tattoo gets Jone Bang Fai’s attention, and while the Thief is trying to steal Sing’s cattle herd, Jone Bang Fai tries to attack Sing, but is repelled.

Lord Waeng then enlists Jone Bang Fai in a scheme to defeat Sing. To do so, they also need the help of the Black Wizard, who was once cursed by Sing so that he cannot withstand sunlight. The Black Wizard says the only way to defeat Sing and reverse his spells is to use the menstrual blood of a virgin – the Black Wizard’s daughter, E’Sao.