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Eugene is an extraordinary talent in classic guitar, but he dreams of being a famous Blues guitarist. So he investigates to find a storied lost song. He asks the legendary Blues musician Willie Brown to help him, but Willie demands to free him from the old-people’s prison first and to really learn the blues on the way to it’s origin: Mississippi Delta. Eugene doesn’t know yet about Willie’s deal with the devil, that he now wants to revoke.

The story centers on a man who is convinced that he has finally met the right girl and marries too quickly. While on his honeymoon and in the process of discovering that his new bride is a nightmare, he meets the girl of his dreams.

An old man in a nursing home reads a story to an old woman each day. The story he reads follows two young lovers named Allie Hamilton and Noah Calhoun. They met one evening at a carnival many years ago. Allie’s parents separate Noah and Allie. They disapprove of Noah’s lack of wealth, and move Allie away. After waiting for Noah to write her for several years, Allie meets and becomes engaged to a handsome young soldier named Lon. In a local newspaper, Noah’s picture catches Allie’s eye. He is standing in front of a fully restored, 200 year old home. The article is filled with praise for his accomplishments. Allie’s heart nearly bursts. The last time she saw this house it was a rotted decaying shamble. She stood enfolded in Noah’s arms in the great entryway and listened to his plans to buy and restore this house. Just the way she wanted it. With her love for Noah still alive, the picture pulls at her heart. She has to go back, see if Noah is okay, and tell him about her marriage. They both think the echo deep in their hearts, the one that has lasted all these years, is not shared by the other. The cry they could not stifle. It wasn’t over for me.

Fiona and Grant are an Ontario couple who have been married for over 40 years. Now, in the oncoming twilight of their years, they are forced to face the fact that Fiona’s “forgetfulness” actually is Alzheimer’s Disease. After Fiona wanders away and is found after being lost, they agree she must go into a nursing home. For the first time in the five decades their relationship has spanned, they are forced to undergo a long-time separation since the nursing home has a “no-vistors” policy for the first 30 days of a patient’s stay, so they can adjust to their new surroundings. When Grant visits Fiona after the orientation period, he is devastated to find out that not only can has she seemingly forgotten him, Fiona has transferred her affections to another man. The other man is Aubrey, a wheel chair-bound mute who also is a patient at the nursing home. As the distance between husband and wife grows, Grant must draw upon his love for Fiona to perform an act of self-sacrifice in order to ensure her happiness.

This movie transplants the classic tale of “Romeo and Juliet” to New York City in the 1950s. The two feuding families are replaced by brawling street gangs. The Montagues become the Anglo Jets, led by Riff (Russ Tamblyn), and the Capulets become the Puerto Rican Sharks, led by Bernardo (George Chakiris). At a dance, Tony (Richard Beymer), former leader of the Jets and Riff’s best friend, and Maria (Natalie Wood), Bernardo’s little sister, see each other across the room and it’s love at first sight. With opposition from both sides, they meet secretly and their love grows deeper. However, the gangs are plotting one last rumble, a fight that will finally end the battle for control of the streets. Will Tony and Maria’s love carry through a battle that threatens to destroy the people they love around them? With a young, talented cast, a gorgeous score and dance sequences that need to be seen to believe, West Side Story is a must-see!

After the sudden death of her fiancé, Gray Wheeler finds comfort in the company of his friends: lighthearted and comic Sam, hyper-responsible Dennis, and, oddly enough, his old childhood buddy Fritz, an irresponsible playboy whom she?d previously pegged as one of the least reliable people in the world. As secrets about her supposedly perfect fiancé emerge, Gray comes to see new sides of the man she thought she knew, and at the same time, finds herself drawn to the last man she ever expected to fall for.

A God-fearing bluesman (Jackson) takes to a wild young woman (Ricci) who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it.

The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable - marrying for love. Naturally, her parents are searching for a wealthy, well-appointed husband to assure their daughter’s future social standing. They are eyeing Mr. Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match. But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly along with the sharp repartee. His intellect and arrogance raise her ire - then knock her head over heels. Now, the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters - family, friends and fortune.

In order to keep the woman of his dreams from falling for another guy, Charlie Logan has to break the curse that has made him wildly popular with single women: Sleep with Charlie once, and the next man you meet will be your true love.

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King’s Cross with his mother; he’s nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will’s architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro’s mother, Amira. At home, Will’s relationship with Liv is strained - he feels outside Liv and her daughter Bea’s circle. The stakeout and Amira’s vulnerability are attractive alternatives to being at home. The police, too, watch Miro.