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In February, 1945, one of the fiercest battles of the Pacific theater of World War II occurs on the tiny island of Iwo Jima. Thousands of Marines attack the stronghold maintained by thousands of Japanese, and the slaughter on both sides is horrific. Early in the battle, an American flag is raised atop the high point, Mount Suribachi, and a photograph of the raising becomes an American cause celebre. As a powerful inspiration to war-sick Americans, the photo becomes a symbol of the Allied cause. The three surviving flag raisers, Rene Gagnon, John Bradley, and Ira Hayes, are whisked back to civilization to help raise funds for the war effort. But the accolades for heroism heaped upon the three men are at odds with their own personal realizations that thousands of real heroes lie dead on Iwo Jima, and that their own contributions to the fight are only symbolic and not deserving of the singling out they are experiencing. Each of the three must come to terms with the honors, exploitation, and grief that they face simply for being in a photograph.

At the beginning of the 19th century, Napoleon’s forces controlled much of Europe. In Russia, one of the few countries still unconquered, the army prepares to face Napoleon’s troops in Austria. Among the soldiers are Nicholas Rostov (Jeremy Brett) and Prince Andrei Bolkonsky (Mel Ferrer). Pierre Bezukhov (Henry Fonda), a friend of Andrei’s and self-styled intellectual who “knows what’s right but still does wrong,” is not interested in fighting. Pierre’s life changes when his father dies, leaving him a vast inheritance. He is attracted to Natasha Rostov (Audrey Hepburn), Nicholas’s sister, but gives in to baser desires and marries the shallow, materialistic Princess Helene (Anita Ekberg). The marriage quickly ends when Pierre discovers his wife’s true nature. Andrei is captured and later released by the French, and returns home only to watch his wife die in childbirth. During a visit to the country months later, Pierre and Andrei meet again. Andrei sees Natasha and falls in love, but his father will only permit the marriage if they postpone it for one year. While Andrei is away in Poland on a military mission, Natasha is drawn to Anatole Kuragin (Vittorio Gassmann), a scoundrel and libertine. Pierre tells Natasha of Anatole’s past before she can elope with him. Napoleon (Herbert Lom) invades Russia. Pierre visits Andrei on the eve of the battle, and observes the battle that follows. Traumatized by the carnage, he vows to kill Napoleon himself.

In 1950, few soccer players in the United States played the game with any particular degree of expertise. Most Americans had heard about the soccer only by hearsay, even though it was the world’s most popular sport, and when the United States was invited to compete in the World Cup in Brazil, the country turned out to have no soccer team to call their own. The U.S. set out to recruit players in the soccer breeding ground of St. Louis, Missouri, where they found a group of young friends with almost absolute lack of an appropriate experience, only an unabashed love of the game.

The story of USSR’s first nuclear ballistic submarine, which suffered a malfunction in its nuclear reactor on its maiden voyage in the North Atlantic in 1961. The submarine’s crew, led by the unyielding Captain Alexi Vostrikov, races against time to prevent a Chernobyl-like nuclear disaster which threatens not only the lives of his crew, but has the potential to ignite a world war between the super powers.

Based on the letters of Colonel Robert G. Shaw. Shaw was an officer in the Federal Army during the American Civil War who volunteered to lead the first company of black soldiers. Shaw was forced to deal with the prejudices of both the enemy (who had orders to kill commanding officers of blacks), and of his own fellow officers.

In 1929 an impoverished nine-year-old named Chiyo from a fishing village is sold to a geisha house in Kyoto’s Gion district and subjected to cruel treatment from the owners and the head geisha Hatsumomo. Her stunning beauty attracts the vindictive jealousy of Hatsumomo, until she is rescued by and taken under the wing of Hatsumomo’s bitter rival, Mameha. Under Mameha’s mentorship, Chiyo becomes the geisha named Sayuri, trained in all the artistic and social skills a geisha must master in order to survive in her society. As a renowned geisha she enters a society of wealth, privilege, and political intrigue. As World War II looms Japan and the geisha’s world are forever changed by the onslaught of history.

In the early 1950’s, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator ‘Joseph McCarthy (II)’ (qv) of Wisconsin. However, CBS reporter ‘Edward R. Murrow (I)’ (qv) and his producer ‘Fred W. Friendly’ (qv) decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history.

AMISTAD is about a 1839 mutiny onboard a slave ship that is traveling towards the Northeast Coast of America. Much of the story involves a court-room drama about the slave who led the revolt.

In 1501, in the Western Europe, in a period when the black plague is jeopardizing the populations, an army of mercenary peasants leaded by Martin (Rutger Hauer) fights side-by-side with the noble Arnolfini (Fernando Hilbeck) to retrieve his castle, with the promise of a huge reward. However, the band is betrayed by Arnolfini, and decides to pay him back, assaulting and stealing a caravan under the command of Arnolfini and his son and student, Steven (Tom Burlinson). In one of the wagon is traveling the fiancée of Steven, Agnes (Jennifer Jason Leigh), who is accidentally kidnapped and later raped by the group. Agnes becomes Martin’s mate, and the mercenaries decide to invade a castle, without knowing that the army of Arnolfini is chasing them.

Sydney Schanberg is a New York Times journalist convering the civil war in Cambodia. Together with local representative Dith Pran, they cover some of the tragedy and madness of the war. When the Americans forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won’t have any trouble leaving the country, but the situation is different for Pran; he’s a local, and the Khmer Rouge are moving in.